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Thank you. When I ask friends why they like or don't like a book or movie, I really want to know if their are ideas and connections I'm missing, if the cinematography helps tell the story, if there are motifs or themes that carry home an idea. The ideal critic has to have a certain passivity, and a williOf the great film critics, Kael has probably aged the worst.
I'm sure I'm partially to blame, but I've read plenty of criticism about music I haven't heard, books I haven't read, etc., and I just didn't find her writing compelling. She could surprise you with her knowledge and poetic metaphors. But what she says is far from being fancy. Miss Kael is a gifted writer and an exemplar critic. Her references are always related to the old american way. I'm sure I'm partially to blame, but I've read plenty of criticism about music I haven't heard, books I haven't read, etc., and I just didn't find her writing compelling. "She has everything that a great critic needs except judgment. 3.0 out of 5 stars she still has the gift of insight and if she says a picture is bad, it is really bad. the madness that has overtaken Armond White). She is fantastically bitchy when she doesn't like a movie, and doesn't hold back (she's also pretty snarky about other critics' opinions, and doesn't hesitate to call them stupid if she thinks they are), so that's fun, too. She pulls no punches in regard to her opinions on film, actors, directors, and especially other critics. All of that said, in many ways the woman was a raving lunatic, and that also comes through. Robert W. Curry. ����ɳ�%�^'_��������[7������,��zݚ��3x���lp�]�9��Mʤ�Oh/���j��>�]iR]֪nAt����,>��vK���5l�$9�|��q�_�B�y���(��e�p�ND�q;K|��Z2~�T when she discussed films I’d never heard of it was like reading a foreign language.She comes out swinging and doesn’t stop until the bell rings.This book is dense. It has lots of food for thought throughout, and has inspired me to see some classics. 5.0 out of 5 stars I Lost it at the Movies. I love the way she writes about movies -- even when I don't agree with her, or have no idea what she's talking about, it makes me excited about film and I find myself wanting to watch Last Year at Marienbad again (which normally is the kind of idea that should make you say OH FOR HEAVEN'S SAKE, NO.) Read more. Maybe with a few more years of film self-education, it'll make sense, but I had a hard time even making it sentence to sentence.
Miss Kael is a gifted writer and an exemplar critic. When I ask friends why they like or don't like a book or movie, I really want to know if their are ideas and connections I'm missing, if the cinematography helps tell the story, if there are motifs or themes that carry home an idea. just to see particular things she is talking about. Pauline Kael is the critics Critic. What's that delicious smell wafting in across the plains? I don't always agree with her, but even when I don't she's a joy to read.This took me a loooong time to get through. Like Fran Lebowitz, I could happily sit down at a party while she held court over cigarette after cigarette, and went through the failings of everyone in the room and a significant number of people outside of it. Some notable reviews in this section for me were about the French New Wave and Truffaunt (Shoot The Piano Player and Jules And Jim), Kon Ichikawa (Kagi and Fires On The Plain), Italian films (L'Avventura, LaNotte, 8 1/2, and La Dolce Vita), Kurosawa's Yojimbo, and Satyajit Ray's Devi. Start by marking “I Lost it at the Movies: Film Writings, 1954-1965” as Want to Read:
Fuck, even when I disagree with her (really, how can she hate La Dolce Vita?) Call me misguided but Pauline Kael is basically the most unpleasant critic I've ever come across. I first discovered Pauline Kael in my doctor's waiting room.
Kael, on the other hand, seems capricious, stubborn and willfully inconsistent. <>
Thank you. When I ask friends why they like or don't like a book or movie, I really want to know if their are ideas and connections I'm missing, if the cinematography helps tell the story, if there are motifs or themes that carry home an idea. The ideal critic has to have a certain passivity, and a williOf the great film critics, Kael has probably aged the worst.
I'm sure I'm partially to blame, but I've read plenty of criticism about music I haven't heard, books I haven't read, etc., and I just didn't find her writing compelling. She could surprise you with her knowledge and poetic metaphors. But what she says is far from being fancy. Miss Kael is a gifted writer and an exemplar critic. Her references are always related to the old american way. I'm sure I'm partially to blame, but I've read plenty of criticism about music I haven't heard, books I haven't read, etc., and I just didn't find her writing compelling. "She has everything that a great critic needs except judgment. 3.0 out of 5 stars she still has the gift of insight and if she says a picture is bad, it is really bad. the madness that has overtaken Armond White). She is fantastically bitchy when she doesn't like a movie, and doesn't hold back (she's also pretty snarky about other critics' opinions, and doesn't hesitate to call them stupid if she thinks they are), so that's fun, too. She pulls no punches in regard to her opinions on film, actors, directors, and especially other critics. All of that said, in many ways the woman was a raving lunatic, and that also comes through. Robert W. Curry. ����ɳ�%�^'_��������[7������,��zݚ��3x���lp�]�9��Mʤ�Oh/���j��>�]iR]֪nAt����,>��vK���5l�$9�|��q�_�B�y���(��e�p�ND�q;K|��Z2~�T when she discussed films I’d never heard of it was like reading a foreign language.She comes out swinging and doesn’t stop until the bell rings.This book is dense. It has lots of food for thought throughout, and has inspired me to see some classics. 5.0 out of 5 stars I Lost it at the Movies. I love the way she writes about movies -- even when I don't agree with her, or have no idea what she's talking about, it makes me excited about film and I find myself wanting to watch Last Year at Marienbad again (which normally is the kind of idea that should make you say OH FOR HEAVEN'S SAKE, NO.) Read more. Maybe with a few more years of film self-education, it'll make sense, but I had a hard time even making it sentence to sentence.
Miss Kael is a gifted writer and an exemplar critic. When I ask friends why they like or don't like a book or movie, I really want to know if their are ideas and connections I'm missing, if the cinematography helps tell the story, if there are motifs or themes that carry home an idea. just to see particular things she is talking about. Pauline Kael is the critics Critic. What's that delicious smell wafting in across the plains? I don't always agree with her, but even when I don't she's a joy to read.This took me a loooong time to get through. Like Fran Lebowitz, I could happily sit down at a party while she held court over cigarette after cigarette, and went through the failings of everyone in the room and a significant number of people outside of it. Some notable reviews in this section for me were about the French New Wave and Truffaunt (Shoot The Piano Player and Jules And Jim), Kon Ichikawa (Kagi and Fires On The Plain), Italian films (L'Avventura, LaNotte, 8 1/2, and La Dolce Vita), Kurosawa's Yojimbo, and Satyajit Ray's Devi. Start by marking “I Lost it at the Movies: Film Writings, 1954-1965” as Want to Read:
Fuck, even when I disagree with her (really, how can she hate La Dolce Vita?) Call me misguided but Pauline Kael is basically the most unpleasant critic I've ever come across. I first discovered Pauline Kael in my doctor's waiting room.
Kael, on the other hand, seems capricious, stubborn and willfully inconsistent. <>